Tonight I wasted $7.50 watching Amanda Seyfried (Plastic Karen in Mean Girls) try to determine which of several men is her father in time for him to walk her down the isle.
Don't get me wrong, Seyfried is really enjoyable on screen. Mostly what the movie suffers from is an extreme excess of songs. After each song there is approximately ten seconds of dialogue which nudges the plot along, then it's time for another song.
Of course the excessive (and weird) songs are not the only issue. Meryl Streep and Co. take up much, much, much more of the movie than I would have anticipated. Mostly this flick is about their former exploits. Occasionally we flick back to Amanda (aka Sophie) and once in a while there are these three men.
In the end Sophie doesn't find out who her father is, but the men agree to share Sophie, while Pierce Brosnan takes Donna (Streep) all for himself, Stellan Skarsgard get's chased after by one of Donna's friends, and Collin Firth confesses that he is actually gay. If that isn't enough to ruin the movie for you, I don't know what is.
Save your money and call Mamma Mia! a miss.
Don't get me wrong, Seyfried is really enjoyable on screen. Mostly what the movie suffers from is an extreme excess of songs. After each song there is approximately ten seconds of dialogue which nudges the plot along, then it's time for another song.
Of course the excessive (and weird) songs are not the only issue. Meryl Streep and Co. take up much, much, much more of the movie than I would have anticipated. Mostly this flick is about their former exploits. Occasionally we flick back to Amanda (aka Sophie) and once in a while there are these three men.
In the end Sophie doesn't find out who her father is, but the men agree to share Sophie, while Pierce Brosnan takes Donna (Streep) all for himself, Stellan Skarsgard get's chased after by one of Donna's friends, and Collin Firth confesses that he is actually gay. If that isn't enough to ruin the movie for you, I don't know what is.
Save your money and call Mamma Mia! a miss.
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